He illustrated the Folio Society edition of Neil Gaiman’s American Gods in 2017.The year is 1976-one year after a deadly plague sweeps the world, killing virtually all human beings.
He has worked in theatre, galleries, and the music industry, and has written and directed three feature films: MirrorMask (2005), The Gospel of Us (2012, winner of two Cymru BAFTAs), and Luna (2014, winner of the Raindance Award for Best Picture, BIFA). He has collaborated with Neil Gaiman ( Sandman, 1989–97 Coraline, 2002), John Cale ( What’s Welsh for Zen, 1998 Sedition and Alchemy, 2003), David Almond ( The Savage, 2008), Richard Dawkins ( The Magic of Reality, 2011), Heston Blumenthal (as Director of Story at The Fat Duck), and others. For this edition, acclaimed horror novelist Joe Hill has provided a perceptive introduction examining the impact this ‘novel of unrelenting menace’ has had on science fiction, horror, and the wider landscape of our movie nightmares.ĭave McKean has released sixty books as an illustrator, author, photographer and designer, including Cages (1990–6, winner of two Harvey Awards, the Ignatz Award, La Pantera Award, and the Alph-Art Award), Pictures That Tick (2009, V&A Illustrated Book of the Year), and Black Dog: The Dreams of Paul Nash (2016, a 14–18 NOW Foundation/Imperial War Museum/LICAF commission). The special die-cut slipcase offers frightening glimpses of the binding, and each new novel section features more of McKean’s stunning black and white artwork. How long can a man’s sanity last in such conditions? The author’s prose is as lean and as efficient as his hero, propelling the reader on a fraught thrill-ride before ultimately asking the terrifying question: who is the real monster here?Īward-winning illustrator and comics legend Dave McKean has created a number of searing colour images that capture the washed-out desperation of Matheson’s post-apocalyptic world, with splashes of vibrant red hinting at the violence happening just off page. A plague borne on clouds of dust has killed much of humanity and resurrected them as vampires, and Neville has devoted his daylight hours to exterminating the monsters while at night he barricades himself in his home and listens to the men and women who were once his neighbours howl for his blood. Robert Neville is the last man left alive but his days and nights are far from empty.
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